Free PDF The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford

Free PDF The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford

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The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford

The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford


The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford


Free PDF The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford

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The Vintage Guide to Classical Music: An Indispensable Guide for Understanding and Enjoying Classical Music, by Jan Swafford

From the Inside Flap

dable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond.The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features:-- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times;-- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement;-- a glossary of musical terms, from a cappella to woodwinds;-- a step-by-step guide to building a great classical music library.&

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About the Author

Composer and writer Jan Swafford received degrees from Harvard and the Yale School of Music; his work has been played throughout the United States and abroad. Among his awards are an NEA Composers Grant, a Tanglewood Fellowship and a Mellon Faculty Fellowship at Harvard.

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Product details

Paperback: 624 pages

Publisher: Vintage; 1 edition (December 15, 1992)

Language: English

ISBN-10: 0679728058

ISBN-13: 978-0679728054

Product Dimensions:

5.2 x 1.2 x 8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

62 customer reviews

Amazon Best Sellers Rank:

#31,643 in Books (See Top 100 in Books)

When I first decided to learn more about classical music, this was the first book I turned to. "The Vintage Guide to Classical Music" is an excellent reference guide for those who love this genre of music but don't know a great deal about it. Using reasonably detailed and very interesting biographical essays on the major composers, author Jan Swafford gives the reader an excellent historical overview of classical music from its beginnings until the early 1990s, when this book was published. Also included are "sidebars" which explain in clear and easy to understand prose different topics such as sonata form, melody, atonal music, etc. Swafford also includes a section which explains how to begin building a classical music library. I found this especially useful in building my own classical CD collection."The Vintage Guide to Classical Music" is extremely well written, and obviously well researched. It's also very entertaining! The author consistently demonstrates not only a wealth of knowledge about his subject, but his love for it as well. For me, this book remains an indispensable guide to classical music. Highly recommended!

Until I got to retirement age, I had been a big fan of classical music without really knowing much about it. I finally ordered this book to get myself some education.The author has his strong opinions, but what the heck, so do I. I am never going to become a fan of atonal music -- in my opinion, the quickest & surest way of emptying a concert hall. But it was a bit disturbing to learn that Richard Strauss was "a pig" and that Bruckner was a "nincompoop" -- not that these facts affect their music in the slightest.Two coincidences strengthened my opinion of this book. I had recently discovered Beethoven's Piano Concerto #4 on YouTube (Bernstein / Zimerman) and it blew me away. Swafford agrees that the Fourth is Beethoven's best piano concerto.The second coincidence was Theodore Dalrymple's very enthusiastic mention of the Haydn String Quartets. I began listening to some of them on YouTube and realized that there was a complete universe of beautiful music I had never noticed before. Swafford has basically the same opinion, that classical music has nothing to compare with the Haydn Quartets.There is a world of excellent information in this book, & I recommend it highly.

It sounds simple enough: write a series of short essays about all the classical composers that truly matter. The result though is actually a coherent and comprehensive tour through the language of the music, the composers themselves, and the evolution of the techniques and orchestration used over the centuries - and it is FUN to read.The writing style is jaunty and descriptive and deeply reflective of the music being described. Try to describe sound, music, has got to be one of the most difficult challenges there is in writing but Jan Swafford never waivers, the book is compelling and colorful all the way through. Picked at random, here's a typical description: "In contrast to the thunderous playing of Liszt, Chopin never used fortissimo but rather shaded his dynamics downward toward the intimate and nearly inaudible." Or how about this description of Wagner: "By the late nineteenth century he would haunt the Western cultural tradition as pervasive myth and sacred monster." You just must read on.This book also provides carefully chosen advice on which music you should start with for each composer. Within the body of the book these are detailed with Swafford usual colorful and concise language. At the back an appendix summarizes are the recommendations. So far this appendix has cost me several hundred dollars in happily spent purchases, with many more to come.If you are at all interested in the subject of classical music then this is a splendid gateway.

Enjoy the book very much. For the non-music major, who has not been exposed to a great deal of "classical music", this is a grand start. If one finds certain sections a little lacking, then it's because we were ready to move on to something other than this book. After all, some have been exposed to classical music early. Others have not, and need a place to start. The suggested playlist in the back is excellent. With the help of the wonders of the Internet, Amazon, Naxos, and other websites, we can figure out what versions of what song we want to hear all by ourselves. But we all have to have somewhere to start. Kudos to the author. Only suggestions I could think of at first read, was to improve the glossary, so that it matches closer the book. Some terms were lacking. Is there a possibility of a second version? Just asking.

I want to join the chorus of praise for this book. It's been my only reading matter since I started it and I put it down only to call up YouTube or to play a CD I happen to own. I love the style - high-flown, personal, inspiring, sometimes touching, sometimes snarky. It got a bit shakey during the section on Wagner - not adequate, perhaps, to the polite expression of the author's opinion of Wagner the man. That's as far as I've got - I'm about to start on Verdi. I was thrilled that the greatest of my musical beloveds, Bach and Schubert, were treated with as much admiration and love as even I could wish. I had a quick look ahead and it seems that another of my favourites, Hugo Wolf, doesn't get a mention. Oh well, one can't expect perfection.The little essays on technical subjects are clear but it's the historical overview that has been really helpful to me. I've got books on most of my favourites but it's nice to have my understanding of their works reinforced and, often, expanded. I also enjoyed seeing just where other composers like Monteverdi and Domenico Scarlatti fitted into musical history and which of their works are the most rewarding - the CDs are winging their way to me. I will have lots more new information to digest as the book heads into the twentieth century and I look forward to developing new tastes, because Jan Swafford is a writer who is not ashamed to share his enthusiasms.

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